迈阿密风云(粤语版)
2.0 |2025年12月09日 |片长132分钟 |正片 |共1集
简介:

美国南部城市迈阿密一直以来都是毒品犯罪的“茂盛”繁殖地。美国联邦调查局(FBI)更是从来都没有放松对这一带地区的监控。警方的卧底在一次毒品交易中惨遭杀害,上级要求桑尼(柯林·法瑞尔 Colin Farrell 饰)和里卡多(杰米·福克斯 Jamie Foxx 饰)扮成毒贩,卧底联系其首领蒙托亚(路伊斯·托沙 Luis Tosar 饰),查 明真相。卧底过程中,个性夸张的詹姆斯不知不觉中陷入了与性感女银行家伊莎贝拉(巩俐 饰)的私密恋情之中。然而,这个亚裔女人实际上就是本地毒品走私集团幕后的重要头目,并且是蒙托亚的女人。蒙托亚的生意代表兹托并不相信桑尼和里卡多,凭直觉感到他们有问题,对他们出处提防,并绑架了里卡多的女友,将这对不速之客置于死地。

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更新时间:2025年12月08日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
热度 79
1954
不安
剧情片1954
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特
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