我是桐岛
5.0 |2026年02月17日 |片长105分钟 |正片 |共1集
简介:

故事始于20世纪70年代,桐岛大学时期。他同情抗日武装阵线的活动并加入了他们,但1974年三菱重工爆炸案造成大量人员伤亡,令他内心充满矛盾。随着警方调查的深入,抗日武装阵线濒临瓦解,被警方通缉的桐岛被迫化名逃亡。最终,他在一家建筑公司找到了一份住家工作,过上了平静的生活。在那里,他在一家现场音乐场所遇到了歌手基娜。

猜你喜欢
换一换
德拉克的回归
HD中字
2.0
德拉克的回归
2.0
更新时间:2025年12月08日
主演:拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach
简介:与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。  A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
热度 708
1968
德拉克的回归
剧情片1968
主演:拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫
评论区