瓦塔妈咪

简介：Two men kidnap a girl off the streets, take her to a beach house owned by a drug-addicted stewardess, and hold her for ransom.

简介：三亚海阔天空，阳光沙滩。在这里，青年女演员马亦舒逐渐忘掉了在北京的爱情创伤，找到自己的思想情感归属。在三亚拍摄电影期间，结识了当地的黎族青年拳手张志诚，二人戏里戏外逐渐产生好感，最终走到一起。从北京想挽回这段感情的前男友王力，与张志诚正面交锋，在财富，信念的角逐中，探讨人生真谛。马亦舒最终留了下来，日出东方，大海边，她和张志诚呼喊着未来。

简介：

零售公司的售票员李勇（李雨农 饰）和百货公司的收款员赵惠（安琪 饰）在一场车祸中相识相知，直至相爱，最终两人携手步入了婚姻的殿堂。赵惠的同事马美娜（苏剑峰 饰）虽然羡慕这段感情，但内心里始终觉得服务员是一份低贱的职业。

简介：有志成为音乐人的学生德尼茨爱上了一个粗犷的摩托车赛车手，但悲剧和家人的反对成为他们爱情路上的阻力。

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简介：

Follows a little child who, after hearing tales from his mother at bedtime, sets off to find the fabled island of fireflies.

简介：某知名男星被爆出轨，JTV《娱乐头条》节目组和所有媒体一起，立即投入了对这一热点事件的调查挖掘中，真相扑朔迷离，幕后另有隐情，成员们不但要努力呈现人心的真相，更要面对来自电视台内外的重重阻力.......

简介：

根据日本著名侦探小说家横沟正史的代表作《恶魔吹着笛子来》改编，银座有名的珠宝店内，发生了毒杀案。嫌疑人没落贵族椿英辅，说着“士可杀不可辱”，自杀了。坚信其清白的女儿美弥子委托金田一耕助参加一场在椿加进行的奇妙占卜。当晚，寄宿于椿家的原伯爵被杀害，金田一开始在椿家调查这桩杀人案……

简介：由南派三叔担任总策划，从超级IP《盗墓笔记》分裂而来的全新故事《吴山居事件账》系列网络大电影之《蚌人》，讲述了霍有心因手下离奇丧命而前往吴山居兴师问罪，并设计让吴山居经理白蛇也感染了致其手下命丧黄泉的怪病。不料反被白蛇设计两人均染上该怪病，为解开其中秘密，二人寻求吴邪帮助并在其指引下来到一神秘山洞，寻找怪病的源头和解救之法。

简介：A young lady, who recently lost her mother, faces the challenges of high school and her very strict step-father. Through personal growth, and an amazing dedication to dance, she learns to find the peace and happiness of family.

简介：通过令人发指的时事揭露过去未解决案件的真相的故事。

简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.