剧情片 2022 粤语,英语

海鸥来过的房间

导演
孔庆辉
主演
黄柏豪,林上,陈斐力,莫倩婷,杨彬
别名
未知
1.0
综合评分
72
热度
2022-11-11
上映时间
93分钟
片长
简介:

一个无风的盛夏,曾为作家的房仲周迅生,迎来一位房客,一个清澈稚嫩、热衷在生活中表演的剧场演员,他很快地成为迅生观察的对象。而在舞台剧《海鸥》上演前,演员痛失角色,却发现自己活成了迅生小说中的主角。一名渴望被凝视的演员,一名只能寄情于文字狂想的作家,戏里戏外,在不同角色间 困惑混淆,释放欲望。导演孔庆辉游走于多重文本与身份,辩证真实与虚假。

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热度 442
2010
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剧情片2010
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HD中字
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简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
热度 79
1954
不安
剧情片1954
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特