在与热爱户外运动的丈夫遭遇一场猛烈的车祸后,贝丝有限的生存技能被推到了极限,她独自被困在一片充满致命超自然威胁的森林里。
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.” The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
当昔日的童年挚友离奇离世,一群老友重聚于她那座充满诡异回忆的豪宅,试图厘清过往。然而,悼念瞬间沦为绝境:她曾主持的经典儿童节目中,那些形象可爱的毛绒玩偶竟变成了嗜血的杀戮机器。
Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.
一名乡村消防员发现,一台秘密粒子加速器打开了通往地狱的大门。
Searching for an adventurous story in the woods, a group of journalism students awaken a superhuman being from its lost cryo-chamber. A long night of man hunting and desperation ensues.
独来独往的汤米(Tommy)担任乘车司机,在大街上巡游,在城市里结识陌生人。 除了汤米,他对乘客保持秘密之外:他是一个杀人狂的精神病患者。 当汤米遇见漂亮的上班族乔琳(Jolene)时,他开始沉迷于让她成为下一个受害者的想法。 乔琳(Jolene)被困在一间空荡荡的科技大楼中,必须为生存而战。
在与她疏远的母亲去世后,一位饱受折磨的女子回到童年时的家,发现了一个盒子。当她打开盒子时,释放出了与一段黑暗家族遗产和她自身一个致命秘密相关的邪恶力量。