喀拉拉邦一条乡村公路上的神秘弯道，当地人称其为 “苏玛蒂弯道”。这个地方因一桩与名为苏玛蒂的女子有关的陈年惨案而名声阴森，她的离世催生出此地闹鬼及怪事频发的传言
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
Fleeing from their violent father, siblings Luci?a and Adria?n take refuge in a remote mansion. With the help of a hidden micro-camera on a cat, Luci?a uncovers a terrifying secret: their neighbors are part of a criminal network that kidnaps teenage girls to make snuff films, and they intend to get rid of the siblings. As Lucía fights to protect her brother, she must face a dark family curse that follows them into their newfound sanctuary.
在手机与电脑屏幕的视角下，看似温和的导演AJ，通过黑客技术监视着演员们的电子设备。他掌握着演员们的秘密，以黑mail胁迫他们参与一场真实的“恐怖电影”。演员们被迫按照他的指令行事，他们的真实生活被不断侵入、扭曲，现实与虚构的边界逐渐模糊，每个人都被卷入这场疯狂的创作游戏中。
搞笑与社会说教、恐怖元素结合在一起，想法很好，但部分桥段在叙事节奏的转换上略显突
研究近东古代神话的年轻学者艾拉，在古董店购得一尊神秘陶罐后，家中接连遭遇诡异事件：物品莫名移位、深夜听见低语、家庭成员出现幻觉与精神崩溃。随着调查深入，她发现陶罐封印着古代美索不达米亚神话中的灾厄“拉比苏（Rabisu）”—— 这是一种以恐惧、精神错乱为食的无形恶魔。拉比苏不直接血腥杀戮，而是通过侵蚀心智、制造幻觉，让受害者在绝望中自我毁灭。艾拉必须在自己与家人彻底沦陷前，破解诅咒本源，驱散这只来自远古的恶魔。
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.” The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
