故事发生在加利福尼亚州马里布的十年间，四名受欢迎的高中男生在毕业之夜神秘失踪。我们将跟随超自然现象调查小组，在马里布山上的一个神圣洞穴中寻找男孩们失踪的线索，最终揭开可怕的真相。
Nicole and Sebastian arrive to find the farm overrun by mysterious squatters who claim they can conjure spirits. As Sebastian attempts to violently run them out, Nicole is lured into their world, desperate to contact her dead daughter…forcing the couple to deal not only with the spirit world, but their own inner demons.
三个中学生怀疑他们的邻居——一位公交车司机——与一系列儿童失踪案有关。随着调查的深入，他们发现了一些黑暗的仪式，以及一股隐藏在眼皮底下的邪恶力量——就在隔壁。
由维基·考沙尔 (Vicky Kaushal) 和布米·佩德内卡 (Bhumi Pednekar) 主演的恐怖片，分为两部分之一。
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.” The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
两名逃犯在肯塔基州东部逃亡时，遇到了一心复仇的女巫的灵魂。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
