剧情片 1962 粤语

魔影惊魂粤语

导演
珠玑
主演
林家声,周坤玲,李香琴,郑君绵,曹达华
别名
未知
6.0
综合评分
604
热度
未知
上映时间
未知
片长
简介:

高建明回鄉途經破屋, 驚見持刀黑影威嚇少女, 明旋即被擊昏, 醒來發現身旁有一死屍. 明偶遇祖客林伯堅及其女韻萍, 明覺萍貌似當日所見少女, 萍矢口否認. 明、萍未幾共墮愛河, 一日, 萍失蹤, 明潛入林家, 發現伯堅和萍雙雙倒斃, 翌日卻見二人安然無恙. 明暗訪萍, 始知伯堅實為把萍撫養成人的伯父, 萍生父仲堅為罪犯, 先後殺死同鄉及伯堅以報仇奪產. 伯堅遇害當晚, 萍嚇至昏倒, 仲堅再假扮兄長掩人耳目. 此時, 明險遭仲堅滅口, 幸警方及時趕至, 仲堅中槍身亡.

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更新时间:2025年12月08日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
热度 79
1954
不安
剧情片1954
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特