我们最原始的恐惧之一就是对未知的恐惧编织了一系列故事。
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.” The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
1984年的美国圣诞档曾出现过一部备受争议的电影《平安夜，杀人夜》，这部电影让圣诞老人化身杀人狂，在美好的圣诞夜晚大开杀戒，颠覆了孩子们心目中圣诞老人作为愿望使者的美好形象，这让家长们大为光火，合力抗议抵制，整个美国社会甚至形成了一股反恐怖电影的风潮。这种行为或许要拜美国六七十年代一系列的诸如越战失利，总统遇刺，国内经济衰退等等事件所赐，使得美国人的心灵变得脆弱不堪，以至于都无福消受一部消遣圣诞老人的恐怖电影。今年，翻拍自当年《平安夜，杀人夜》的恐怖片《平安夜惊魂》又来了。在美国文化多元开化的今天，这样一部电影想来已经不会触到他们的敏感点了。《平安夜惊魂》将延续《平安夜，杀人夜》的原故事，主要讲述了在美国威斯康星洲一个小镇举行了圣诞大游行，在满镇的圣诞老人中，有一位连环杀手也装扮成圣诞老人的样子大开杀戒。小镇警察对其进行搜寻追捕......本片剧本由杰森·罗思韦尔（《白雪公主和七武僧》、《仙境绑架案》）操刀，新生代恐怖片导演史蒂文·c·米勒（《自动注射》、《尖叫的女妖》）执导，“邪恶”老将马尔科姆·麦克道威尔（《罗马帝国艳情史》、《发条橙》）搭档杰米·金、布兰登·费尔两位年轻演员出演。麦克道威尔此次不再出演一贯的邪恶角色，而是变身成大事的小镇英雄库柏警长。《平安夜惊魂》将于11月30日北美上映，之后一周将发行蓝光和DVD。
一群年轻人前往丛林露营，试图修复彼此因家庭悲剧而破裂的关系。斯科特与朋友走散后，意外坠入十米深的尖刺陷阱，腿部被刺穿，被困其中。他尝试呼救、自救，却发现陷阱外的猎人正以他们为猎物，在丛林中展开猎杀。他只能利用身边的一切资源，对抗身体的剧痛与心理的恐惧，同时躲避猎人的追捕，同行的伙伴们也在丛林中接连遭遇不测，这场露营之旅早已变成一场致命的生存游戏。
在皎洁的月光下，一名连环杀手正在肆虐这座城市。惠特洛克警探怀疑凶手可能是嗜血的狼人。随着尸体不断堆积，惠特洛克也被卷入了一场与这头怪物的残酷对决。
Caleb Wingate is given a choice over who lives and dies on his wedding day by an assassin known as The Wolf.
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
卢修女早已失去信仰，她登上从蒙特利尔开往纽约的高速列车，同行的还有经验丰富的诺瓦克神父。列车行驶途中，一股强大的恶魔力量附身乘客，邪物化身阿斯蒙蒂斯让列车失控，朝着毁灭的方向疾驰。封闭车厢内，乘客接连被附身，危机层层蔓延。没有退路也没有外援，陆修女必须直面破碎的信仰，在失控的列车上，为被附身的乘客执行驱魔仪式，对抗不断扩散的邪恶，阻止这场列车上的死亡灾难。
一群高中毕业班的学生，为庆祝好友生日前往新奥尔良旅行，被神秘人“骨爸”引诱，走进了一家地下塔罗牌占卜店。每个人许下了自己最强烈的愿望，并抽到了对应命运的塔罗牌，其中主角塔拉抽到了象征死亡的牌，被占卜师用血在手臂上做了标记。回到学校后，恐怖的诅咒彻底爆发：每个人的愿望成真后，都会以塔罗牌预示的方式，迎来残忍且无法逃脱的死亡。学生们一个接一个地惨死，塔拉必须在自己成为下一个祭品前，找到破解塔罗牌诅咒的方法，对抗来自新奥尔良的古老邪灵。
